On a brisk December day, hurrying holiday SHOPPERS rush in and out of Macy's. Near its entrance stands a MAN CALLING OUT to anyone who will listen.
MAN A pocket full of miracles! Get your miracle here!
PASSERSBY look upon him queerly as he continues to chant.
MAN A pocket full of miracles! Get your miracle here!
Adjusting his iPod, a TEENAGER stops in curiosity.
TEENAGER How much?
MAN It's free.
TEENAGER (sarcastically) Nothing's free.
Then walks away. Untethered,
MAN A pocket full of miracles! Get your miracle!
A young COUPLE stops and exchanges glances.
WOMAN What kind of miracles?
MAN You name it.
WOMAN My boyfriend and I want to get married but we can't afford a ring.
As her boyfriend tugs at her arm, the man searches for and pulls from his pocket a brilliant engagement ring. He hands it to the woman who excitedly shows it to her boyfriend.
BOYFRIEND How much does it cost?
MAN Nothing.
BOYFRIEND It's a fake. Let's go.
As they walk away, the woman gleans the ring then smiles at the man appreciatively.
A hunched OLD MAN steps out of the crowds and faces the miracle man.
OLD MAN I bet you don't have anything in your pocket for me.
MIRACLE MAN Try me.
OLD MAN I remember when I was twenty. I was as strong as Hercules. Played lots of sports.
The miracle man listens patiently.
OLD MAN My wife was my biggest fan. We were high school sweethearts.
Not saying a word, the man begins walking; the old man in step beside him.
OLD MAN We were married over fifty years. (quietly) She died last year.
MIRACLE MAN I'm very sorry.
As they continue to walk together,
OLD MAN I live around the corner. Would you join me for dinner?
The timing couldn't be better for Saturday's opening of "The Beaten Path," a major exhibit ofBob Dylan's artworks at the Halcyon Gallery on London's pricey New Bond Street.
Worldwide interest in the veteran American troubadour has soared after his surprising choice as this year's winner of the Nobel Prize in literature and the show is one of the most extensive displays ever mounted of his drawings, watercolors, acrylics and ironworks.
The 75-year-old singer has said he will accept the Nobel in person in Stockholm if he can fit it into his demanding tour schedule -- and the gallery hopes he will stop off in London to visit the show.
"He obviously comes whenever he decides," said gallery president Paul Green, who knows it would be fruitless to press the elusive Dylan for a certain date. "We don't know whether he will come. We hope he will. He's been deeply involved in every aspect of this exhibition."
The extensive exhibit reflects growing appreciation for Dylan's art, which has been featured in gallery and museum shows in a number of countries in recent years.
The paintings at the London gallery reflect Dylan's nearly constant travels throughout the United States on the "never ending tour" that has consumed the last two decades of his life. The choice of subject matter reflects a deep affinity for the American scene, an abiding affection for its curious roadside attractions and respect for its industrial might.
Railways, skyscrapers, and suspension bridges vie with deserted side streets and overgrown motels for his attention. This is an America of fairgrounds and circuses, forgotten crossroads and neglected cityscapes. The streets are filled with the bulky behemoths that were late 1950s automobiles — including a depiction of the Ford Edsel, a famous automotive failure.
Dylan writes in a preface that he chose to ignore corporate America: "The common theme of these works having something to do with the American landscape — how you see it while crisscrossing the land and seeing it for what it's worth. Staying out of the mainstream and traveling the back roads, free born style."
Dylan paints the Wigwam Motel in Arizona -- guests can sleep in purported native-American style lodging -- the Brooklyn Ice Cream factory at the foot of the Brooklyn Bridge in New York City and the "Harem Slave" carnival sideshow in Alabama. There is a painting of the Paradise Motel looking anything but, its grounds in Florida overgrown and its buildings neglected.
It's a panoramic view of America similar to the one described in his kaleidoscopic 1975 song "Tangled Up in Blue." The sense is of Dylan as a solitary figure with a sketchbook, looking at the country from odd angles.
"Dylan was born in small town America," said Green. "He's done hundreds of tour dates for many, many years, and often played in the small towns. He takes the hot dog stand, or the motel, whether it's open or closed. It's his view of America. It harks back to the '50s and '60s -- Jack Kerouac, the road -- and how important the road is for all Americans. It shows really his love for America and all things American."
...war continues as a common extension of political disputes in modern times and, as human beings never radically change in disposition, will continue to be employed in the future as it has been in the past; fueled and justified by the ages-old tribe mentality.
The word 'war' comes to English by the old High German language word 'Werran’ (to confuse or to cause confusion) through the Old English 'Werre' (meaning the same), and is a state of open and usually declared armed conflict between political entities such as sovereign states or between rival political or social factions within the same state. The Prussian military analyst Carl Von Clausewitz, in his book On War, calls it, “continuation of politics carried on by other means.” War is waged by political entities, nations or, earlier, city states in order to resolve political or territorial disputes and are carried out on the battlefield by armies comprised of soldiers of the contending nations or by mercenaries paid by a government to wage battle.
War & the Rise of Nations
Throughout history, individuals, states, or political factions have gained sovereignty over regions through the use of war. The history of one of the earliest civilizations in the world, that of Mesopotamia, is a chronicle of nearly constant strife. Even after Sargon the Great of Akkad (2334-2279 BCE) unified the region under the Akkadian Empire, war was still waged in putting down rebellions or fending off invaders. The Early Dynastic Period of Egypt (3150-2686 BCE) is thought to have risen from war when the Pharaoh Manes (or Menes) of the south conquered the region of northern Egypt (though this claim is disputed). In China, the Zhou Dynasty gained ascendancy through battle in 1046 BCE and the conflict of the Warring States Period ((476-221 BCE) was resolved when the State of Qin defeated the other contending states in battle and unified China under the rule of emperor Shi Huangti. This same pattern holds for other nations throughout time whether one cites the success of Scipio Africanus (236-183 BCE) in the defeat of Carthage (and so the ascendancy of Rome) or that of Philip II of Macedon (382-336 BCE) in uniting the city-states of Greece. Contending armies of opposing nations have historically settled political disputes on the battlefield even though, in time, these armies changed in formation and size.
Armies contained two types of infantry: Shock Troops, whose purpose was to close with the opposing forces and try to break their lines, and Peltasts who were more mobile and moved in a looser formation in order to fire long-range weapons at the enemy. According to the historian Simon Anglim, et.al., "Infantry is the backbone of any army, being the one unit that can attack or defend equally effectively. The majority of battles have turned on the infantry's ability to close with the enemy and kill him" (7) and this holds true, in most cases, even after the introduction of cavalry units and the war chariot. The earliest armies were relatively small corps of shock troops until the introduction of peltast units. At the Battle of Megiddo in 1479 BCE the Egyptian army numbered 20,000; by the time Shalmaneser III ruled over the Assyrian Empire in 845 BCE armies had grown in mass and size. Shalmaneser's forces in his campaigns numbered over 120,000. The Assyrians required large armies owing to their policy of territorial expansion and ruthless suppression of revolt against central rule and, in this, they epitomize the underlying cause of war: the tribe mentality.
The Tribe Mentality & War
War grows naturally out of the tribe mentality. Anglim, et.al., notes: "A tribe is a society tracing its origin back to a single ancestor, who may be a real person, a mythical hero, or even a god: they usually view outsiders as dangerous and conflict against them as normal. The possession of permanent territories to defend or conquer brought the need for large-scale battle in which the losing army would be destroyed, the better to secure the disputed territory. The coming of `civilization' therefore brought the need for organized bodies of shock troops" (8). The tribe mentality always results in a dichotomy of an `us' vs. a `them' and engenders a latent fear of the `other' whose culture is at odds with, or at least different from, one's own. This fear, coupled with a desire to expand, or protect, necessary resources, often results in war. The first war in recorded history took place in Mesopotamia in 2700 BCE between Sumer and Elam. The Sumerians, under command of the King of Kish, Enembaragesi, defeated the Elamites in this war and, it is recorded, “carried away as spoils the weapons of Elam.” At approximately the same time as this campaign, King Gilgamesh of Uruk marched on his neighbors in order to procure cedar for construction of a temple. While it has been argued that Gilgamesh is a mythological character, the archaeological evidence of a historical King Enembaragesi, who is mentioned in the Epic of Gilgamesh, lends weight to the claim that the latter was also a real historical figure. The region of Sumer traditionally looked upon Elam as `the other' to the point where, in the Ur III Period of Sumer's history (2047-1750 BCE) King Shulgi of Ur constructed a great wall to keep the Elamites and Amorites at bay.
Warfare certainly did not begin in 2700 BCE, however. The earliest pictographs of armies at war come from the kingdom of Kish, dated to about 3500 BCE. Jericho, which, along with Uruk, has a claim to the title of the world’s oldest city, has provided archaeologists with solid evidence that a fortified city stood on the site before 7000 BCE. The walls of the fortress were 10 feet (3 metres) thick and 13 feet (3.9 metres) high surrounded by a moat 30 feet (9.1 metres) wide and 10 feet (3 metres) deep. The simple bow was in use in Mesopotamia as early as 10,000 BCE and cemeteries from northern Mesopotamia to Egypt attest to early warfare on a fairly significant scale. Evidence from a conflict which took place at Jebel Sahaba, Egypt, at the so-called Site 117, 59 skeletons were uncovered, all of whom show clear evidence of violent death at about the same time. War in ancient Mesopotamia was waged by infantry shock troops until the introduction of the composite bow from Egypt.
By 1720 BCE, Egypt had been conquered by the Hyksos, a Semitic people of unknown origin, who introduced superior technological advances into Egypt. Along with the war chariot, bronze weapons, and new tactics, the Hyksos brought the advance of the composite bow. Prior to the coming of the Hyksos, the Egyptian army had used "simple bows of wood or cane with a range of around 33 feet (100 metres) while the composite bow was "capable of delivering a mighty blow out to 656 feet (200 metres)" (Anglim, et.al. 10). The development of the composite bow would change the way in which war was waged in that shock troops who were massed closely together made easy targets for archers while looser formations invited decimation by opposing shock troops. This led to changes in battle formations generally and the development of military tactics.
The earliest formation was the phalanx which was first employed in Sumer c. 3000 BCE and would become the standard for infantry formations for thousands of years. It was made famous at the Battle of Marathon in 490 BCE when the Greeks employed it effectively to rout the Persians, was perfected by Alexander the Great c. 332 BCE on his campaigns, and was made more formidable by the armies of Rome. The phalanx was employed, in one form or another, by most of the fighting forces in the ancient world. The Greeks employed cavalry to protect the flanks and the Thebans used a combination of cavalry, infantry, and peltasts. The introduction of the war chariot and, later, the use of elephants in battle, supplemented the role of the infantry but never diminished their importance.
War has been an important factor in creating states and empires throughout history and, equally so, in destroying them. Major advances in science, technology, and engineering have been brought about through necessity during times of war. It is written that the army of King Croesus of Lydia (ruled 560-547 BCE) was once stopped in their advance by the Halys River which seemed impossible to cross. The philosopher Thales of Miletus, a member of Croesus’ army, had a crew of engineers dig a channel upstream, giving it a crescent shape, “so that it should flow round the back of where the army was encamped, being diverted in this way from its old course and passing the camp, should flow into its old course once more" (Kaufmann, 9). Once the river was made shallow in both channels it was, of course, easy to cross. Stories such as this provide examples of the importance of engineers in the practice of war. The increaseing development of military tactics or, in this case, geographical obstacles, necessitated a corps of engineers as a regular part of any army. The armies of Alexander the Great and of Rome are well known for their use of engineers in warfare most notably by Alexander at the Siege of Tyre (332 BCE) and by Julius Caesar at the Siege of Alesia (52 BCE). Both of these generals took full advantage of every resource at their disposal to crush their enemy and advance their cause and engineers, along with technological advances such as the siege tower, became a particularly important means to achieving those ends.
Armageddon
With advancements in technology, war has increasingly wreaked chaos and destruction upon the lives and cities of combatants and non-combatants and, true to the origins of the name, has sown confusion throughout time. The first armed conflict in history recorded by eyewitnesses was the Battle of Megiddo in 1479 BCE between Thutmose III of Egypt and an alliance of former Egyptian territories under the leadership of the King of Kadesh. The Hebrew name for Megiddo is `Armageddon' well known from the biblical Book of Revelation as the site of the final battle between good and evil and has come to be used as a general term for a dramatic situation involving the end of the world. If one regards the predictions of Revelation as trustworthy then, as the historian Davis notes, "The foundation for one of the great ironies of history is thus foretold: the beginning and the end of military history occur at the same site" (5). However that may be, war continues as a common extension of political disputes in modern times and, as human beings never radically change in disposition, will continue be employed in the future as it has been in the past; fueled and justified by the ages-old tribe mentality.
A freelance writer and part-time Professor of Philosophy at Marist College, New York, Joshua J. Mark has lived in Greece and Germany and traveled through Egypt. He teaches ancient history, writing, literature, and philosophy.
p.s. I'm trying to understand the fate of the human race. If we continue on the path we're on, it definitely looks bleak if we don't embrace our higher spirituality and intellect to overcome our hatred which is become the norm under our current political climate.
FADE IN: FREDERICK LOREN, and his wife, ANNABELLE, have invited several GUESTS to spend the night in their old mansion situated atop a hill. EXT. OLD MANSION - NIGHT Each guest arrives at the desolate mansion in a limousine provided by Mr. Loren and are attended to by his BUTLER. INT. FOYER. MANSION - NIGHT BUTLER Good evening, Sir. Mr. Loren will be with you shortly. FRANKENSTEIN passes him, GRUNTING. BUTLER Good evening, Mr. and Mrs. Addams. INT. SITTING ROOM. MANSION - NIGHT MORTICIA and GOMEZ ADDAMS join Frankenstein who bends over to kiss Morticia's extended hand, then shakes Gomez's hand and offers a cigar. GOMEZ What's the old boy up to? Frankenstein GRUNTS, shaking his head as he lights Gomez's cigar. MORTICIA It's all very mysterious, cherie. As Gomez is about to smother her arm in kisses, the doorbell HOLLERS, distracting him. The threesome's glances follow the butler as he opens the door. BUTLER Good evening, Count. As Gomez steps towards Dracula, GOMEZ You're looking well, Count. DRACULA Thank you. Where is your beautiful wife? Gracefully walking towards him, MORTICIA Dear Count. As she extends her hand, Dracula eyes her neck. All are once again distracted by the doorbell.
BUTLER Good evening, Madam. ELVIRA embraces Morticia as each air kiss one another. ELVIRA Whatever Frederick is up to, it's fabulous to see you all. DRACULA You're looking more lovely than ever, my dear. Dracula salivates as he glances between Elvira's and Morticia's necks. Looking dashing and stunning, Frederick and Annabelle suddenly appear. FREDERICK How gracious of you for coming tonight. GOMEZ Don't give it a thought, my friend. But what is the occasion? You're famous for your tricks, old chap. FREDERICK I'm happy to announce Annabelle's birthday. The group offer her hugs, kisses, and best wishes. As they do, Frederick steps towards the light switch unnoticed, and shuts off the lights. In the darkness, a SCREAM and a THUMP are heard. Frederick switches the lights on. Dracula's fangs drip with blood. FREDERICK What have you done, Count? He rushes to Annabelle squirming on the floor, her hand covered with blood trying to soothe the bite on her neck. DRACULA What you told me to do. To bite Annabelle. Everyone turns to Frederick questioningly. As he assists Annabelle to her feet and tends to her wound, FREDERICK No, no, no, dear Count. I told you to sing to Annabelle. DRACULA I do not sing. I bite. ANNABELLE (crying) I am a lady of darkness now. ELVIRA I beg your pardon, Annabelle, but I am the lady of darkness. MORTICIA Mon ami, you are mistaken for it is I, the lady of darkness. Once again, the lights go out. A spotlight flashes on Frederick. FREDERICK For you, my darling. Happy birthday. Frankenstein appears on a makeshift stage in a yellow, sequined jacket and black sequined pants holding a cane. As he clumsily dances, he belts out "Puttin on the Ritz." Annabelle thoroughly enjoys his performance, blowing him a kiss. He nearly stumbles offstage as Morticia and Elvira, dressed as Flappers, sing "All That Jazz," dancing on and around their chair props. Annabelle CLAPS enthusiastically. Gomez then appears and recites quite eloquently, Edgar Allan Poe's poem, "Annabel Lee." Last, Dracula appears adorned in a red and black cape. DRACULA For this act, I will need your assistance, dearest Annabelle. Annabelle joins him exuberantly. DRACULA With one swoop of my cape, I will make Annabelle disappear. On the count of three...one, two, three. Dracula covers Annabelle with his cape and to everyone's delight, Annabelle disappears. FREDERICK Bravo, Count! MORTICIA But where did she go? As everyone surrounds Dracula in curious search of Annabelle, he disappears in a ball of smoke. The stunned group blinks at the stain on the floor and exchange concerned glances. FREDERICK He has abducted her! As he rushes to the door, FREDERICK I will search high and low. Use all of my resources. Do anything to find her. If it takes forever! INT. DINING QUARTERS. SHIP TO TRANSYLVANIA - NIGHT DRACULA Are you comfortable, dearest Annabelle? ANNABELLE Yes, I am, Count. But where are we going? DRACULA Home. ANNABELLE (sighs) There's no place like home. DIRECTOR Cut! This is not the Wizard of Oz! To the director, ANNABELLE And this is House on Haunted Hill?
Bob Dylan receives the Nobel Prize in Literature “for having created new poetic expressions within the great American song tradition.” Interview with Sara Danius Permanent Secretary of Nobel Prize.
The following are comments made by the Nobel Prize morning of October 13, 2016:
"If I was a poet and could write a fine hand, I'd write my love a letter that she'd understand" Bob Dylan from the song "Thunder on the Mountain" from his 32nd studio album, Modern Times.
Bob Dylan is the first Nobel Laureate since Bernhard Shaw to have been awarded both a Nobel Prize and an Oscar.
”I see myself as a song and dance man” The Life and Career of Bob Dylan documentary captures Bob Dylan’s career:
Bob Dylan shakes 2009 Nobel Laureate Barack Obama's hand at the White House Celebration Of Music From The Civil Rights Movement (2010)
”…he is a wonderful sampler, a very original sampler. He embodies the tradition & for 54 yrs now he has been at it” Sara Danius, Permanent Secretary Nobel Prize, on Bob Dylan.
"He can be read and should be read, and is a great poet in the English tradition" Sara Danius, Permanent Secretary Nobel Prize, on Bob Dylan.
Have never seen Stevie Nicks, nor Chrissie Hynde. Am so excited to watch these formidable, iconic female artists perform in early December.
It hit me, though. While thinking ahead, I thought of the first band I ever saw -- The Beatles at Shea Stadium. Although sounds of young women screaming were dominant, to be in the same venue was for a 14 year old who adored them since their debut album, Please PleaseMe, I (and my friends) died and went to heaven. I'd never seen or heard anything like it since, or so I thought.
...until I saw Ziggy Stardust with my then boyfriend/ex-husband at Madison Square Garden. While we were dating, Terry kept saying, "we've got to see Ziggy! we've got to see Ziggy!" So a few of his friends and I did. I was 22 in 2003. It was love at first hearing/sight until his passing.
Ziggy Stardust
My goal was to see three more of my heroes: Bob Dylan, Bruce Springsteen, and The
Moody Blues. I wouldn't see The Moody Blues until 1981, but until then blessed to see:
Bruce Springsteen and his E-Street band invaded Rutgers University in 1970 while I attended Douglass College/Rutgers U. I was born to follow since. They performed at Max's Kansas City (an intimate venue) in Manhattan in 1973. But would you believe who opened for them? Bob Marley & The Wailers, they're first ever New York appearance! Tom, a dear college friend & friend to this day, sat in the second row of this small, intimate venue. Met them all after the show. Unforgettable! Again, have become lifetime followers of these greats.
Bob Marley, Max's Kansas City, 1973
When I saw Bob Dylan whom I adored since my father's introduction to him & his song, Blowin In The Wind (1962/63), I got to see two greats for the price of one at Madison Square Garden early 1974 -- Bob Dylan and The Band. Another highlight of my live musical experiences. I was still 22. Incredible!
Have also seen Bob Dylan 2x more at the NJPAC. His Masters of War blows me away, but live? Nothing like it, and him! And as of 10/13/16 a recipient of the Nobel Prize in Literature. Ole!
After such immemorable moments, my life had focused on getting married, marriage, home, career but always hoped to see The Moody Blues which would happen on their Long Distance Voyager Tour at the end of 1981 at the Brendan Byrne Arena/Meadowlands. I heard them first in my sophomore year at college. After hearing On a Threshold of a Dream, again, it was love at first hearing. Their music had an ethereal quality. It was the time of the Viet Nam War, and like us, they too asked "The Question"s.
It was around this time, my husband and I bought our property and moved to the Catskills New York. Thoroughly enjoyed the location, every weekend traveled to Woodstock, a locale I idolized since the Woodstock Music Festival in 1969 I always wished I'd been able to attend.
It was around 1985, my husband and I separated. I lived in Edinburgh, Scotland for the year. During that time of reflection, I made some incredible friendships with whom I was blessed to share moments which helped me to sort things out. Music was always a part of my life during the good and the bad times. While in Great Britain, traveled to Liverpool and saw The Beatles' Museum, visited Penny Lane, and traveled all over Scotland and much of Ireland.
But as I mentioned, music was always there to calm me, to sate me. Two musical acts, now very famous, I saw in their infancy were R.E.M. and Sade. I think one knows when a new musician is great & will become a force to reckon with. Another two incredible moments.
When I returned, I asked my husband for a divorce. It was heartbreaking, but our relationship had been deteriorating for a long while. So, it's at this time, those music acts I had seen afterward become a little muddled and will add them as I remember them.
Many metal bands were seen at the Capitol Theatre in Passaic, New Jersey such as,Motorhead.
Also, Pete Seeger, Arlo Guthrie, Iris Dement. Will include when/where as I remember.
Another incredible night of music, Jerry Garcia while he was on his own from The GratefulDead, on my birthday! So sooo good!
In 2002, at Lincoln Center/Avery Fisher Hall, another incredible experience. Prince! On his One Nite Alone tour. Amazing! His presence! He was shorter than I'd imagined but oh so tall when it came to performing!
However, of all the musicians I've seen, The Moody Blues I've seen most often; at the New Jersey Garden State Arts Center (now PNC Arts Center in Holmdel, NJ), Radio City Music Hall (Manhattan), NJPAC (Newark, NJ) 2x, MPAC (Mayo Performing Arts Center) in Morristown, NJ 2x, and a couple Justin Hayward solo appearances. Quite a few for my beloved Moody Blues.
My last live concert was to see Leonard Cohen at Radio City Music Hall, Manhattan in 2009. Another musical hero am so blessed to have seen live. It was magic to experience Canada's Poet Laureate's genius set to music. Pure magic!
Oh my goodness, do live streams count?
Mountain Jam at Hunter Mountain, New York June 2016
Michael Franti, The Record Company, Courtney Barnett, Houndmouth, Gov't Mule, The Marcus King Band, Chris Robinson Brotherhood, Beck, The Avett Brothers, Umphrey's McGee, Train plays Led Zeppelin II, Thievery Corporation, Jason Isbell, Warren Hayes, Sister Sparrow & The Dirty Birds, Nahko and Medicine for the People, The New Mastersounds, Third World, Marco Benevento & Superhuman Happiness, Turkuaz, Donna The Buffalo, The London Souls, The Ballroom Thieves with Main Youth Orchestra, And The Kids, Love Canon, Con Brio, Quilt, Darlingside, Elijah Wolf, Wild Adriatic, Jane Lee Hooker, Copious Jones, Madaila, The Suitcase Junket, Scott Sharrard, The Movement, Upstate Rubdown, Mikaela Davis, Yogarama with Bari Koral, Ratboy Jr.
PHISH Live from Red Rocks Ampitheatre Colorado, July 2016
Mountain Jamat Hunter Mountain, New York June 2015
Robert Plant, Michael Franti, The Black Keys, Alabama Shakes, Gov't Mule performed Dark Side of the Mule, Grace Potter, Moe., Big Gigantic, Rebelution, Joe Russo's Almost Dead, Railroad Earth, Lake Street Dive, Trigger Hippy, Shakey Graves, Benjamin Booker, Nikki Bluhm & The Gramblers, The Wailers, Dopapod, Rusted Root, Jon Cleary & The Absolute Monster Gentlemen, The Budos Band, Amy Helm & The Handsome Strangers, Hurray for the Riff Raff, Larry Campbell & Teresa Williams, Bill Payne, Marco Benevento, Planet of the Abts, Simone Felice, The Mother Hips, Arc Iris, Spirit Family Reunion, Nikki Lane, Zepparella, Sons of Bill, The Mike & Ruthy Band, EMEFE, Simi Stone, Burnell Pines, Matt Andersen, The Compact, Jocelyn Arndt, Lions on the Moon Ft. Eric McFadden, Ratboy Jr., The Dharma Burns
Grateful Dead's Fare Thee Well Concert, Chicago, July 2015
What do you think, a blessed gal?!
On to the Stevie Nicks'24 Karat Gold Tour!
p.s. a few still on my wish list. Neil Young, Joni Mitchell,Tom Petty & the Hearthreakers, Dido, Rolling Stones, The Allman Brothers, The Talking Heads, The Lumineers, oh so many more. Hope so! :))
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